Here, the heart of the painting looks like an undistinguished mass at first, where all the elements concentrate. But Barbara Bojadzi’s gesture imprints a movement to it, like a primeval force, and colours and substances are embodied.
“The materials and the body’s actions produce an antagonist relationship, causing the wound. Coloured bruises, yellowish, reddish, appear on the surface. Without the dialogue between the different fields of materials and gestures, nothing is possible. Signs, traces, and images end up in the same temporality,” explains Barbana Bojadzi.