Grünschwarz

During the Renaissance, perspective began to provide paintings with realistic depth and dimension transforming them into a kind of window on the world of reality, the imaginary or of religion. Günther Tuzina’s works demonstrate this idea, conducive to all kinds of questions about painting. In his paintings and works on paper, the window is open to the world of painting itself. It reveals the consubstantial elements of the line, the colour, the medium and the material.