The Lewitt’s most recent work, such as those presented here, is an arrangement of colours that creates a solid geometric form. The radical concept seems softened by the decorative temptation. Excelling each other in chromatic virtuosity, the pictorial arrangements in this series of coloured strips are derived from a rigorously calculated horizontal and vertical geometry. Veritable chromatic fugues, these radical variations on the same theme are governed by a single rhythm: colour.
