Acrylic on canvas
In this piece, the frame follows the undulation
of the motif, but only in part as the sides are clear cut. Philippe Decrauzat
formalises the illusion by using an undulating, kinetic motif inherent to “op
art”, and combining it with a large-scale shaped canvas. He thereby physically
engages the viewer by immerging him in an experiment with perspective, where
the viewer can deconstruct or freeze the image.
